The Heaven & Earth Grocery Store discussion questions

 1. In The Heaven & Earth Grocery Store, James McBride takes readers into the lives of the people who live on Chicken Hill, a neighborhood of “ramshackle houses and dirt roads where the town’s Blacks, Jews, and immigrant whites who couldn’t afford any better lived.” As you read about Chicken Hill, how did you envision it? Did its description prompt memories of places that you’ve lived or recall from your past?

2. The Heaven & Earth Grocery Store is owned by Moshe Ludlow and his wife, Chona, who runs it, and it’s the center of neighborhood life. Are there places like that from your own life or in your past? How are they similar to (or different from) the Heaven & Earth?

3. Moshe desegregated the local theater by booking Black entertainers for Black audiences, and McBride writes in detail about the famous acts that played there. How courageous do you think Moshe had to be to do this? Have you ever tried to change the traditions of a place or an organization? 

4. Nate and Addie Timblin work for the Ludlows: Nate at the theater, Addie at the store. What similarities do you see between their relationship and that of Moshe and Chona? Do you see differences? What do you think the four have in common?

5. Dodo is a deaf boy from Chicken Hill who needs help—assistance that Nate and Chona provide. Why do you think those two were the ones who stepped in to help Dodo? Do you think they should have done anything differently? What do you think that Moshe and Addie could have done to keep Dodo safe? Or do you think his discovery was inevitable?

6. Doc Roberts is a local physician who was instrumental in sending Dodo to the Pennhurst sanitorium. He also had a complicated relationship with Chona. What about him do you think was most objectionable? Why do you think he was able to succeed for so long without being discovered?  

7. Monkey Pants is the only inmate at Pennhurst who befriends Dodo, and the two strike up an unlikely friendship—one that is literally a lifesaver. Have there been people in your life who’ve stepped in to help you when you needed it?

8. Son of Man is the sadistic attendant on Ward C-1 at Pennhurst. What similarities to (or differences from) Doc Roberts did you see in him? Are they both evil in the same way?

9. The escape the characters engineered to extract Dodo from Pennhurst was possible thanks to the relationships they had with others in their community. How important do you think community was in these characters’ lives?

10. At the end of novel you learn how the skeleton in the first chapter got in the well. Do you think the person whose skeleton it was got what he deserved? Do you think other characters in the novel did?

Trust, discussion questions

 1. Trust is a novel that is told through four separate documents – a novel-within-the-novel, an unfinished manuscript, a memoir, and a diary. Why do you think the author chose to tell the larger story this way? How do the different sections speak to each other?

2. Each separate piece of the book offers a different character’s perspective on the same period, subjects, relationships, and events, revealing new truths and calling others into question. Which revelations surprised you most? Whose perspective and narrative did you most enjoy or value and why?

3. One of the major themes of Trust is power, who has it, how they got it, how they maintain it. Another theme is history, how it gets decided and shared, and who gets to tell the story. How do these two themes work together in the book? How do you think the different characters would describe their own power, or their own voice, and the relationship between the two?

4. Related to the theme of voice is the theme of visibility. Which characters are the most visible to the public and which are less seen? Why? What accounts for the differences in visibility? How does a given character’s public visibility affect the larger perception of history? How does Diaz encourage the reader to think about ideas of visibility in the book?

5. What do you think is the relationship between power and money? Can you have one without the other?

6. Did Trust make you think about the ways that history has traditionally been recorded, shaped, and remembered? Or about which people or elements get overlooked, or even erased? 

7. Trust encourages the reader to consider the place of women and minorities in relation to institutions and narratives that seem to bolster the expansion of wealth in this country. Was this something you ever considered before? How do you see the importance of gender or race in the power-wealth dynamic today as compared to the time period of the novel?

8. Trust considers the reputation or aura surrounding one couple and seems to ask: what is fact and what is fabrication, and how can we ever know? Consider how this question, as it pertains to this one couple, can be extended to apply to much broader historical subjects. What do you think the author might be saying about the accuracy of our foundational narratives?

9. Diaz looks at the different ways in which capital distorts and shapes the reality around it. Consider classic novels you may have read from the literary canon, depicting affluence and class. How do they depict the place of women in the story of accumulation of wealth? How do they depict the role of immigrants? Were they written by men or women? When were they published?  

Courtesy Penguin Random House

Troubled Blood Reading Group questions

 1. Much of Strike and Robin’s initial investigation focuses on the serial killer Dennis Creed. Why do you think serial killers hold such fascination for us?

2. In your opinion, what is the significance of the quotes from Spenser’s The Faerie Queen?

3. TROUBLED BLOOD reveals much about Cormoran Strike’s background for the first time in the series. Does knowing this help you understand him better?

4. This is the first time that Cormoran and Robin tackle a cold case in the series. Was that a different experience for you as the reader following the investigation?

5. In this novel, Robin steps up to be co-partner of the agency. How does her approach differ to Strike’s and how is she treated by their employees?

6. Do you think a romantic relationship between Strike and Robin would be a good thing, or detrimental to their business relationship?

7. Anna begins talking to Strike after consulting a medium and tarot card readings go on to play a major role in the investigation. Do you believe in these techniques? Why do you think Robert Galbraith included them in the novel?

8. Both Strike and Anna grow up with maternal figures who are not their mother by blood. How would you say that has that impacted each of their lives?

9. Did you guess the ending? What did you think had happened to Margot?

The Wives by Tarryn Fisher- discussion questions

 The Wives by Tarryn Fisher

1. What do you think about the polygamist marriage angle?

2. What is believable for you at the beginning or was too fat fetched?

3. What were your opinions of Seth throughout the book? How of that change from the beginning though the end?

4. Did Thursday annoy you as a character?

5. There are a lot of themes in the book – miscarriage, abuse, mental illness and more. Do you think it was well though out mix of themes or were the randomly mixed in for shock value?

6. Regarding the psychiatric ward – what were your thoughts on these sections of the book?

7. Usually, the main character is the one you believe in. What bothered you the most about Thursday’s lack of credibility?

8. What do you make of the ending?

The Secret History questions

 

• Richard states that he ended up at Hampden College by a “trick of fate.” What do you think of this statement? Do you believe in fate?
• When discussing Bacchae and the Dionysiac ritual with his students Julian states, “We don’t like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized people--the ancients no less than us--have civilized themselves through the willful repression of the old, animal self” (p. 38). What is your opinion of this theory? Are we all attracted to that which is forbidden? Do we all secretly wish we could let ourselves go and act on our animal instincts? Is it true that “beauty is terror”?
• “I suppose there is a certain crucial interval in everyone’s life when character is fixed forever: for me, it was that first fall term spent at Hampden” (p. 80). Did you have such a crucial interval in your life? What/when was it?
• In the idyllic beginning it is easy to see why Richard is drawn to the group of Greek scholars. It is only after they begin to unravel that we see the sinister side of each of the characters. Do you think any one of the characters possesses true evil? Is there such a thing as true evil, or is there something redeeming in everyone’s character?
• In the beginning of the novel, Bunny’s behaviour is at times endearing and at others maddening. What was your initial opinion of Bunny? Does it change as the story develops?
• At times Bunny, with his selfish behaviour, seems devoid of a conscience, yet he is the most disturbed by the murder of the farmer. Is he more upset because he was left out of the group or because he feels what happened is wrong?
• Henry says to Richard, “My life, for the most part, has been very stale and colourless. Dead, I mean. The world has always been an empty place to me. I was incapable of enjoying even the simplest things. I felt dead in everything I did. . . . But then it changed . . . The night I killed that man” (p. 463). How does Henry’s reaction compare to that of the others involved in the murder(s)? Do you believe he feels remorse for what he has done?
• Discuss the significance of the scene in which Henry wipes his muddy hand across his shirt after throwing dirt onto Bunny’s coffin at the funeral (p. 395).
• List some of the signs that foreshadowed the dark turn of events. Would you have seen all the signs that Richard initially misses? Or do you believe Richard knew all along and just refused to see the truth?
• Would you have stuck by the group after learning their dark secret?
• The author states that many people didn’t sympathize with Richard. Did you find him a sympathetic character?
• What do you make of Richard’s unrequited love for Camilla? Do you feel that she loved him in return? Or did she use his love for her as a tool to manipulate him?
• Do you feel the others used Richard as a pawn? If so, how?
• What do you feel is the significance of Julian’s toast “Live forever” (p. 86)?
• The author mentions a quote supposedly made by George Orwell regarding Julian: “Upon meeting Julian Morrow, one has the impression that he is a man of extraordinary sympathy and warmth. But what you call his ‘Asiatic Serenity’ is, I think, a mask for great coldness” (p. 480). What is your opinion of Julian?
• Do you think that Julian feels he is somewhat responsible for the murder of Bunny? Is that why he doesn’t turn the group in when he discovers the truth from Bunny’s letter?
• What causes Julian to flee? Is it because of disappointment in his young protegees or in himself?
• While the inner circle of characters (Richard, Charles, Camilla, Henry, Francis, and the ill-fated Bunny) are the centre of this tale, those on the periphery are equally important in their own ways (Judy Poovey, Cloke Rayburn, Marion, and so on). Discuss the roles of these characters.
• The rights for The Secret History were initially purchased by director/producer/screenwriter Alan J. Paluka (All The President’s Men, The Pelican Brief), though the project never came to fruition. What are your feelings about making the novel into a movie? Who would play the main characters if you were to cast it?
• What is the meaning of Richard’s final dream?

 

The Glass Castle by Jeannette Walls -discussion questions

 

1. Though The Glass Castle is brimming with unforgettable stories, which scenes were the most memorable for you? Which were the most shocking, the most inspiring, the funniest? 2. Discuss the metaphor of a glass castle and what it signifies to Jeannette and her father. Why is it important that, just before leaving for New York, Jeannette tells her father that she doesn't believe he'll ever build it? (p. 238). 3. The first story Walls tells of her childhood is that of her burning herself severely at age three, and her father dramatically takes her from the hospital: "You're safe now" (p. 14). Why do you think she opens with that story, and how does it set the stage for the rest of the memoir? 4. Rex Walls often asked his children, "Have I ever let you down?" Why was this question (and the required "No, Dad" response) so important for him -- and for his kids? On what occasions did he actually come through for them? 5. Jeannette's mother insists that, no matter what, "life with your father was never boring" (p. 288). What kind of man was Rex Walls? What were his strengths and weaknesses, his flaws and contradictions? 6. Discuss Rose Mary Walls. What did you think about her description of herself as an "excitement addict"? (p. 93). 7. Though it portrays an incredibly hardscrabble life, The Glass Castle is never sad or depressing. Discuss the tone of the book, and how do you think that Walls achieved that effect? 8 Describe Jeannette's relationship to her siblings and discuss the role they played in one another's lives. 9. In college, Jeannette is singled out by a professor for not understanding the plight of homeless people; instead of defending herself, she keeps quiet. Why do you think she does this? 10. The two major pieces of the memoir -- one half set in the desert and one half in West Virginia -- feel distinct. What effect did such a big move have on the family -- and on your reading of the story? How would you describe the shift in the book's tone? 11. Were you surprised to learn that, as adults, Jeannette and her siblings remained close to their parents? Why do you think this is? 12. What character traits -- both good and bad -- do you think that Jeannette inherited from her parents? And how do you think those traits shaped Jeannette's life? 13. For many reviewers and readers, the most extraordinary thing about The Glass Castle is that, despite everything, Jeannette Walls refuses to condemn her parents. Were you able to be equally nonjudgmental? 14. Like Mary Karr's Liars' Club and Rick Bragg's All Over But the Shoutin', Jeannette Walls' The Glass Castle tells the story of a wildly original (and wildly dysfunctional) family with humor and compassion. Were their other comparable memoirs that came to mind? What distinguishes this book? (Discussion Questions by Publisher)

Olive Kitteridge - discussion questions

 

1. Do you like Olive Kitteridge as a person?
2. Have you ever met anyone like Olive Kitteridge, and if so, what similarities do you see between that person and Olive?
3. How would you say Olive changed as a person during the course of the book?
4. Discuss the theme of suicide. Which characters are most affected (or fascinated) by the idea of killing themselves?
5. What freedoms do the residents of Crosby, Maine, experience in contrast with those who flee the town for bigger “ponds” (California, New York)? Does anyone feel trapped in Crosby, and if so, who? What outlets for escape are available to them? 
6. Why does Henry tolerate Olive as much as he does, catering to her, agreeing with her, staying even-keeled when she rants and raves? Is there anyone that you tolerate despite their sometimes overbearing behavior? If so, why?
7. How does Kevin (in “Incoming Tide”) typify a child craving his father’s approval? Are his behaviors and mannerisms any way like those of Christopher Kitteridge? Do you think Olive reminds Kevin more of his mother or of his father?
8. In “A Little Burst,” why do you think Olive is so keen on having a positive relationship with Suzanne, whom she obviously dislikes? How is this a reflection of how she treats other people in town?
9. Does it seem fitting to you that Olive would not respond while others ridiculed her body and her choice of clothing at Christopher and Suzanne’s wedding?
10. How do you think Olive perceives boundaries and possessiveness, especially in regard to relationships?
11. Elizabeth Strout writes, “The appetites of the body were private battles” (“Starving,” page 89). In what ways is this true? Are there “appetites” that could be described as battles waged in public? Which ones, and why
12. Why does Nina elicit such a strong reaction from Olive in “Starving”? What does Olive notice that moves her to tears in public? Why did witnessing this scene turn Harmon away from Bonnie?
13. In “A Different Road,” Strout writes about Olive and Henry: “No, they would never get over that night because they had said things that altered how they saw each other” (p. 124). What is it that Olive and Henry say to each other while being held hostage in the hospital bathroom that has this effect? Have you experienced a moment like this in one of your close relationships?
14. In “Tulips” and in “Basket of Trips,” Olive visits people in difficult circumstances (Henry in the convalescent home, and Marlene Bonney at her husband’s funeral) in hopes that “in the presence of someone else’s sorrow, a tiny crack of light would somehow come through her own dark encasement” (p. 172). In what ways do the tragedies of others shine light on Olive’s trials with Christopher’s departure and Henry’s illness? How do those experiences change Olive’s interactions with others? Is she more compassionate or more indifferent? Is she more approachable or more guarded? Is she more hopeful or more pessimistic?
15. In “Ship in a Bottle,” Julie is jilted by her fiancé, Bruce, on her wedding day. Julie’s mother, Anita, furious at Bruce’s betrayal, shoots at him soon after. Julie quotes Olive Kitteridge as having told her seventh-grade class, “Don’t be scared of your hunger. If you’re scared of your hunger, you’ll just be one more ninny like everyone else” (p. 195). What do you think Olive means by this phrase? How does Olive’s life reflect this idea? Who is afraid of his or her hunger in these stories?
16. In “Security,” do you get the impression that Olive likes Ann, Christopher’s new wife? Why does she excuse Ann’s smoking and drinking while pregnant with Christopher’s first child (and Henry’s first grandchild)? Why does she seem so accepting initially, and what makes her less so as the story goes on?
17. Was Christopher justified in his fight with Olive in “Security”? Did he kick her out, or did she voluntarily leave? Do you think he and Ann are cruel to Olive?
18. Do you think Olive is really oblivious to how others see her—especially Christopher? Do you think she found Christopher’s accusations in “Security” shocking or just unexpected?
19. What’s happened to Rebecca at the end of “Criminal”? Where do you think she goes, and why do you think she feels compelled to go? Do you think she’s satisfied with her life with David? What do you think are the reasons she can’t hold down a job?
20. What elements of Olive’s personality are revealed in her relationship with Jack Kennison in “River”? How does their interaction reflect changes in her perspective on her son? On the way she treated Henry? On the way she sees the world?

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From "A Reader's Guide" to Olive Kitteridge, included in the paperback edition.