Tuesday, October 27, 2015

Bring up The Bodies - discussion questions

1. The novel starts off with a description of hawks soaring in the sky and swooping in to slaughter their prey. In the same manner, the novel closes off with an image of a fox attacking a hen coop. What is the significance of these animals and what do they symbolize?
2. How is King Henry VIII described in the novel? Is he self-serving, or does he truly believe in the validity of his actions? Does he come over as a sympathetic character?
3. King Henry had fawned over all three women (Katherine, Anne, Jane) at one point in time. His past actions indicate that he loved his former wives, yet each affair proves temporary. How does Henry view love? Why do the women in the novel endeavor to wear the “poisoned ring?”
4. There is enormous power in a woman’s gaze. How do the women in this novel utilize their feminine wiles to their advantage? What effect do they have on men subject to their lure, and what does this tell you about women’s power over their male counterparts?
5. Birth and is a major conceit throughout the novel. As “nails give birth to nails,” are children the product of their parents? Consider the parent-child relationships in the novel. What influence do parents have on their progeny?
6. Anne Boleyn is accused of committing adultery and even incest. Could there be any truth in these accusations, or are they complete fabrications by her enemies? How does she change once she realizes she is in danger?’
7. Cromwell seems very protective of Wyatt and saves him from death, even though he is widely suspected of being one of Anne’s lovers. Why does Cromwell feel such a strong need to defend him when he vehemently accuses others of being the Queen’s bedfellows? What sets Wyatt apart from the other men portrayed in the novel? What have Wyatt and Cromwell in common?’
8. The story concludes with Cromwell’s claim that there are no endings, only beginnings. The country now has a new queen and a new leading family. What does this mean for England’s future? What do you think Cromwell’s role will be in the new order?
9. The execution of Anne Boleyn is one of the most frightening moments in English history. Anne’s last words are scripted to appease the King. What do you think would have been Anne’s last words had there not been any consequences?
10. Does the novel make you reconsider your view of the Tudors?

Monday, October 26, 2015

Bring Up the Bodies by Hilary Mantel - quotes

Bring Up the Bodies Quotes 

“The things you think are the disasters in your life are not the disasters really. Almost anything can be turned around: out of every ditch, a path, if you can only see it.”   
“The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.”   
“Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.”   
“Those who are made can be unmade.”   
 “You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws.”   
“He once thought it himself, that he might die with grief: for his wife, his daughters, his sisters, his father and master the cardinal. But pulse, obdurate, keeps its rhythm. You think you cannot keep breathing, but your ribcage has other ideas, rising and falling, emitting sighs. You must thrive in spite of yourself; and so that you may do it, God takes out your heart of flesh, and gives you a heart of stone.”   
“What is the nature of the border between truth and lies? It is permeable and blurred because it is planted thick with rumor, confabulation, misunderstandings and twisted tales. Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.”   
“He needs guilty men. So he has found men who are guilty. Though perhaps not guilty as charged.”   
“It is better not to try people, not to force them to desperation. Make them prosper; out of superfluidity, they will be generous. Full bellies breed gentle manners. The pinch of famine makes monsters.”   
“Once he had watched Liz making a silk braid. One end was pinned to the wall and on each finger of her raised hands she was spinning loops of thread, her fingers flying so fast he couldn’t see how it worked. ‘Slow down,’ he said, ‘so I can see how you do it,’ but she’d laughed and said, ‘I can’t slow down, if I stopped to think how I was doing it I couldn’t do it at all.”   
“Sometimes peace looks like war, you cannot tell them apart.”   
 “A statute is written to entrap meaning, a poem to escape it.”   
“Erasmus says that you should praise a ruler even for qualities he does not have. For the flattery gives him to think. And the qualities he presently lacks, he might go to work on them.”   
“Anne's lovers are phantom gentlemen, flitting by night with adulterous intent. They come and go by night, unchallenged. They skim over the river like midges, flicker against the dark, their doublets sewn with diamonds. The moon sees them , peering from her hood of bone, and Thames water reflects them, glimmering like fish, like pearls.”   
“~ You know young Francis Weston? He that waits on the king? His people are giving out that you’re a Hebrew... Next time you’re at court, take your cock out and put it on the table and see what he says to that. ~ I do that anyway, if the conversation flags.”   
“How many men can say, as I must, 'I am a man whose only friend is the King of England'? I have everything, you would think. And yet take Henry away, and I have nothing.”   
“God knows our hearts. There is no need for an idle formula or an intermediary. No need for language either: God is beyond translation.”