BOOKCLUB QUESTIONS
• Thomas Cromwell is now in his fi fties, ‘the same small
quick eyes, the same thickset imperturbable body; the
same schedules.’ But to what extent is he a different man
to the one we know from Wolf Hall and Bring Up the
Bodies? How has his character developed?
• Discuss Hilary Mantel’s use of the present tense in The
Mirror & the Light. She allows us to follow her
characters in real time as they make decisions the
consequences of which they cannot be sure. Does this
change how we think of history?
• What echoes are there in The Mirror & the Light of
contemporary politics and Britain’s relationship with
Europe? To what extent is Thomas Cromwell a
thoroughly European character?
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The Mirror & The Light
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• ‘The burden of kingship,’ Henry says, ‘no man can
imagine it. All my life, to be a prince: to be observed to
be a prince; all eyes to be set on me; to be an exemplar of
virtue … to unmake myself as a man in order to make
myself as a king.’ What picture does Hilary Mantel paint
of Henry VIII, as a man and as a king? Consider the
trajectory of his relationship with Thomas Cromwell.
• Consider Cromwell as a father and as a son. And the
paternal relationships he develops.
• The Mirror & the Light’s cast of characters includes those
who have died in the course of the previous two novels.
Consider the role of ghosts in the novel.
• Discuss the relationship of men and women. Do the
female characters have power? How familiar are the
gender inequalities to the world we live in now?
• From the descriptions of Henry’s leg wound, to the river
Thames which fl ows through the story, The Mirror & the
Light is carefully and vividly drawn. Consider the use of
texture and physicality in the novel. How successfully
does Hilary Mantel paint a picture of 1540s London?
• Is Thomas Cromwell’s downfall inevitable? When and
how does he become conscious of the fate that awaits
him? How does Cromwell react to his own de